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	<title>Raewyn Turner &#187; Canada</title>
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		<title>FLAP</title>
		<link>http://www.raewynturner.co.nz/2013/02/flap/</link>
		<comments>http://www.raewynturner.co.nz/2013/02/flap/#comments</comments>
		<pubDate>Sat, 23 Feb 2013 00:46:52 +0000</pubDate>
		<dc:creator>Raewyn Turner</dc:creator>
				<category><![CDATA[Olfactory]]></category>
		<category><![CDATA[Portfolio]]></category>
		<category><![CDATA[Canada]]></category>
		<category><![CDATA[Diana Burgoyne]]></category>
		<category><![CDATA[electronics]]></category>
		<category><![CDATA[human smell]]></category>
		<category><![CDATA[Interactive]]></category>
		<category><![CDATA[jars]]></category>
		<category><![CDATA[mechanisms]]></category>
		<category><![CDATA[New Zealand]]></category>
		<category><![CDATA[olfactory art]]></category>
		<category><![CDATA[Raewyn Turner]]></category>
		<category><![CDATA[sensors]]></category>

		<guid isPermaLink="false">http://www.raewynturner.co.nz/?p=503</guid>
		<description><![CDATA[Diana Burgoyne (Canada ) &#38; Raewyn Turner  (NZ) &#160; Flap features fifty jars with authentic human odours inside (courtesy of socks that have been well worn by New Zealanders and Canadians). With flapping lids, the jars create a variable rhythm while sporadically releasing the scents of New Zealanders and Canadians. It is what happens next, [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.ecuad.ca/~dburg/main.htm">Diana Burgoyne</a> (Canada ) &amp; Raewyn Turner  (NZ)<span id="more-503"></span></p>
<p><a href="http://www.raewynturner.co.nz/2013/02/flap/"><em>Click here to view the embedded video.</em></a></p>
<p>&nbsp;</p>
<p>Flap features fifty jars with authentic human odours inside (courtesy of socks that have been well worn by New Zealanders and Canadians). With flapping lids, the jars create a variable rhythm while sporadically releasing the scents of New Zealanders and Canadians. It is what happens next, when those smells and sounds meet the senses of exhibition visitors, which interests Turner and Burgoyne most. In particular, they wonder what automatic associations each of us will experience, and what that will tell us about ourselves as New Zealanders and Canadians.</p>
<p>Flap combines Burgoyne’s  strengths in performance art and electronics with Raewyn Turner’s research into the as-yet unsensed human plume.<br />
While we were making our first work, ReSense at Banff our conversation revolved around whether we could create a work using authentic human smell.  Raewyn took her socks to Plant and Food Research NZ where her smell was extracted from them using HS-SPME-GC-MS analysis. Peaks were found which indicated unknown substance as well as Butylated Hydroxytoluene (an antioxidant!)</p>
<p><a href="http://www.raewynturner.co.nz/wp-content/uploads/2013/02/Raewyns-sock-analysis.jpg" rel="lightbox[503]" title="Raewyn'><img class="aligncenter size-medium wp-image-505" title="Raewyn's sock analysis" src="http://www.raewynturner.co.nz/wp-content/uploads/2013/02/Raewyns-sock-analysis-510x265.jpg" alt="" width="510" height="265" /></a></p>
<p>With a focus  on developing the human as a sensing instrument, FLAP asks if we can monitor humans and the environment as we merge into a collective cyborgian version of ourselves. While the whole of nature is communicating with olfactory signals the realm of olfaction cyphers is largely uncharted despite their effects on human behavior and emotions.<br />
FLAP explores the intimate landscape of the smells that we take for granted and provides us with a multi-sensory re-visioning of the very humble dirty sock.<br />
Utilising traditional mechanistic devices which are activated by the audience&#8217;s shadow, and recalling the concept of archived human smells held in jars in the Stasi files, FLAP engages with the difficulty of actual preservation of the smell of humans standing on earth in 2013. We don&#8217;t yet understand how the olfactory molecule manages to affect the mind but future generations may come to understand the significance of unconscious sensing of human smell signatures and seek ways to preserve their messages.</p>
<p><a href="http://www.raewynturner.co.nz/2013/02/flap/"><em>Click here to view the embedded video.</em></a></p>
<p><a href="http://www.raewynturner.co.nz/wp-content/uploads/2013/02/socks81.jpg" rel="lightbox[503]" title="socks8"><img class="aligncenter size-medium wp-image-510" title="socks8" src="http://www.raewynturner.co.nz/wp-content/uploads/2013/02/socks81-510x339.jpg" alt="" width="510" height="339" /></a></p>
<p>&nbsp;</p>
<p><a href="  http://www.ecuad.ca/~dburg/main.htm">Diana Burgoyne</a></p>
<p>BLOG <a href="http://culturesmellsound.blogspot.co.nz/">Culture Smell and Sound</a></p>
<p><a href="     http://www.thebigidea.co.nz/news/columns/mark-amery-visual-arts/2011/mar/82936-new-noises-from-the-academy">Review: Mark Amery. ReSense NZ Academy Fine Arts, 2011. 36-new-noises-from-the-academy</a></p>
<p>Thanks to Richard Newcomb, Plant and Food Research, NZ, CoLab NZ</p>
<p>&nbsp;</p>
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		<item>
		<title>Current Projects</title>
		<link>http://www.raewynturner.co.nz/2010/10/296/</link>
		<comments>http://www.raewynturner.co.nz/2010/10/296/#comments</comments>
		<pubDate>Tue, 19 Oct 2010 22:26:17 +0000</pubDate>
		<dc:creator>Raewyn Turner</dc:creator>
				<category><![CDATA[New Works]]></category>
		<category><![CDATA[Portfolio]]></category>
		<category><![CDATA[Banff]]></category>
		<category><![CDATA[Canada]]></category>
		<category><![CDATA[colour and sound]]></category>
		<category><![CDATA[Diana Burgoyne]]></category>
		<category><![CDATA[environmental]]></category>
		<category><![CDATA[fragrance]]></category>
		<category><![CDATA[human plume]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[interactive art]]></category>
		<category><![CDATA[molecular science]]></category>
		<category><![CDATA[New Zealand]]></category>
		<category><![CDATA[olfactory art]]></category>
		<category><![CDATA[place]]></category>
		<category><![CDATA[Raewyn Turner]]></category>
		<category><![CDATA[Richard Newcomb]]></category>
		<category><![CDATA[science]]></category>
		<category><![CDATA[science and art]]></category>
		<category><![CDATA[smell]]></category>
		<category><![CDATA[synthetic]]></category>

		<guid isPermaLink="false">http://www.raewynturner.co.nz/?p=296</guid>
		<description><![CDATA[Two projects that I&#8217;ll update on this page are PLUME an investigation of the Human Plume in collaboration with Richard Newcomb, molecular biologist ReSense, a collaboration with Canadian electronics artist Diana Burgoyne. &#160; ReSense 11th September 2011:    ReSense Academy of Fine Arts, Wellington, NZ. Installation Documentation Our collaboration began in New Plymouth at SCANZ 2006 where we [...]]]></description>
			<content:encoded><![CDATA[<p style="padding-left: 30px;">Two projects that I&#8217;ll update on this page are</p>
<ul>
<li><strong>PLUME</strong> an investigation of the Human Plume in collaboration with Richard Newcomb, molecular biologist</li>
<li><strong>ReSense</strong>, a collaboration with Canadian electronics artist Diana Burgoyne.</li>
</ul>
<p>&nbsp;</p>
<p><strong>ReSense</strong></p>
<p>11th September 2011:    <a title="ReSense Installation Documentation" href="http://resense-documentation.blogspot.com/" target="_blank">ReSense Academy of Fine Arts, Wellington, NZ. Installation Documentation</a></p>
<p>Our collaboration began in New Plymouth at <a href="http://www.scanz.net.nz/artists_intl.html">SCANZ 2006</a> where we discovered a mutual interest in integrating cross-sensory experience into artwork. Our initial inquiry centred around whether we could consider the landscape as a map of smell and sound?</p>
<p><strong><p><a href="http://www.raewynturner.co.nz/2010/10/296/"><em>Click here to view the embedded video.</em></a></p></strong></p>
<p>&nbsp;</p>
<p><strong>FLAP </strong></p>
<p><a href="http://www.raewynturner.co.nz/wp-content/uploads/resense-exhib.jpg" rel="lightbox[296]" title="resense exhib"><img title="resense exhib" src="http://www.raewynturner.co.nz/wp-content/uploads/resense-exhib-510x340.jpg" alt="" width="510" height="340" /></a></p>
<p>Our second work shown at MiC Auckland NZ 2010 began with the  investigation of extraction of smell from our socks including GC-MS analysis of odours. We stand on the earth in our own spaces, we each carry the smell of place.</p>
<p><a href="http://culturesmellsound.blogspot.com/"><p><a href="http://www.raewynturner.co.nz/2010/10/296/"><em>Click here to view the embedded video.</em></a></p></a></p>
<p><a href="http://culturesmellsound.blogspot.com/">More:  collaborative projects with Canadian electronics artist Diana Burgoyne</a></p>
<p>In September 2010 Diana Burgoyne recently traveled to New Zealand so we could work together for our exhibition at MiC; her trip was supported by <a href="http://www.colab.org.nz/node/550">CoLab</a></p>
<p><a href="http://www.raewynturner.co.nz/wp-content/uploads/ReSense-Invite3.jpg" rel="lightbox[296]" title="ReSense-Invite3"><img title="ReSense-Invite3" src="http://www.raewynturner.co.nz/wp-content/uploads/ReSense-Invite3-370x370.jpg" alt="" width="370" height="370" /></a></p>
<p><a href="http://www.raewynturner.co.nz/2010/10/296/"><em>Click here to view the embedded video.</em></a></p>
<p><a href="http://www.resenseresense.blogspot.com/">Click here to go to the initial blog about the ReSense collaboration between Raewyn Turner( New Zealand) and Diana Burgoyne ( Canada)</a></p>
<p>&#8212;&#8212;-======&#8212;&#8212;-========&#8212;&#8212;========&#8212;&#8212;-=========&#8212;&#8212;&#8212;=========&#8212;&#8212;&#8212;&#8212;</p>
<p>&nbsp;</p>
<ul>
<li><strong>PLUME</strong> : a collaboration with Richard Newcomb, molecular biologist. We&#8217;re exploring the power of olfaction.</li>
</ul>
<p>&nbsp;</p>
<p><span style="color: #000000;"><span style="text-decoration: underline;"><a href="http://www.raewynturner.co.nz/wp-content/uploads/rocket.jpg" rel="lightbox[296]" title="rocket"><img class="aligncenter size-medium wp-image-298" title="rocket" src="http://www.raewynturner.co.nz/wp-content/uploads/rocket-246x370.jpg" alt="" width="246" height="370" /></a></span></span></p>
<p><span style="color: #000000;"><span style="text-decoration: underline;">My extracted DNA </span></span></p>
<h2><span style="color: #000000;"><span style="text-decoration: underline;"><strong>Plume</strong></span></span></h2>
<p>We began our collaboration with  <a href="http://www.crossingwireslab.tumblr.com">Crossing Wires Lab</a> Not only would we perform the process of extracting human smell from clothing, and learn each other’s languages through a process of drawing and dialogue, but we made the laboratory a performance space, through incorporating interactive video and sound and actively engaging with our audience and invited guests.</p>
<p>I&#8217;m exploring unsensed human olfactory cues, and the smell of civilisation. I’m particularly interested in the olfactory imprints of emotional and physical states of people and their local environment. Drawing from his skills in molecular genetics and biochemistry, Richard is the project leader of the ‘Cybernose’ research  programme which aims to develop an artificial nose using biological odorant receptors from insects. The Cybernose is a technology that is being designed to support human smell sensing. Recent scientific evidence has shown that as humans, we are losing our sense of smell.  Although humans are increasingly ‘anosmic’ (the term for a lack of sense of smell) to most of the fragrances of our time, odours are being transmitted, received, translated and associated by all living beings in nature.</p>
<p>Since November 2009 I’ve become embedded within the Molecular Sensing team at Plant and Food Research, doing hands-on science, interacting with scientists, and practising art in a science setting. Jeremy McRae at Plant and Food Research has assisted me to reflect on the size and possible malleability of DNA material by guiding me through the process of extracting DNA,  We took blood samples from our arms and extracted the DNA from the samples. Jeremy has subsequently advised and directed me through several processes of hands-on cell assay and transfection with the purpose of working towards assessing ligands of biological olfactory receptors from humans.</p>
<p>I collected my own odour by wearing specially prepared socks and had the smell extracted and analysed by Robert Winz at Plant and Food Research, using HS-SPME-GC-MS (headspace-solid phase micro extraction-gas chromatography-mass spectrometry), a method which was developed to determine the profiles of volatile substances.</p>
<p>Our art + science project research involves finding out which compounds in human odour, both above and below threshold that human receptors can detect. We&#8217;re interested in investigating unconscious olfactory sensing; a very important part of that would be in finding out what it is in human body smell that human receptors can detect&#8211;or not&#8230;.. so watch this space!!</p>
<h2><span style="text-decoration: underline;"><br />
</span></h2>
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